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Home | Resources > Newsletter | Synergy - June 12, 2003
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| June 12, 2003 -- Volume 14 Number 10 Synergy, the electronic newsletter
Tourist season is upon us (if not in full swing!), and the recent Okanagan-like warm weather here in Vancouver certainly made that clear. If you haven't already done so, be sure to drop off a handful of your summer event and festival brochures at the Alliance office (Suite 100 - 938 Howe Street in Vancouver), and email basic event info to Tickets Tonight, our day-of, half-price ticket booth, so that we may include you in our online event calendar. Email your info to: info@ticketstonight.ca. Be sure to send the dates, performance times, prices, venue, website address, phone number and a brief overview. Allison Markin,
1. Vancouver's new maritime museum Editor: Allison Markin 1. Vancouver's new maritime museum Plans for the new facility call for it to not only house the history of the sea, but to reflect the ocean in its design; it will be shaped like a giant shell, following the shoreline of the harbour. The exhibits will include interactive features and well as floating displays, taking advantage of the as-yet-unidentified site's proximity to the ocean. The galleries will tell the stories of BC's maritime history, including immigration, First Nations history, travel and the legacy of the Royal Canadian Navy. The new facility will be four times the size of the current museum, which opened in 1958, and will cost $20 to $50 million to build. Delgado expects the capital costs to be covered by sponsorships, grants and other funding.
Mr. Shumka is the managing director of Raymond James Ltd., a major North American investment dealer. He is past president of the Board of Governors of Ballet British Columbia and a governor of the Vancouver Public Library; in the past, he has chaired the Board of Governors for the Emily Carr Institute of Art and Design. Michael J. Audain, managing director of the Polygon Group of Companies, was also appointed to the Council. He is currently chairman of the Business Council of British Columbia and is a past president of the Vancouver Art Gallery, currently chairing the Vancouver Art Gallery Foundation. Robin Hopper continues to serve as vice-chair and Nathalie McFarland continues as a member of the Council's executive committee and as the program committee chair. Reappointed to the Council are: Christopher Armstrong, John Eggleton, Salvador Ferreras, J. Graham Kelsey, Robert Kerr, Alma Lee, Marianne Nicolson, Linda Ohama, David Ross and Brian Scott. Read their biographies.
Some of the findings from the reports, which compared Canadian and American VAE travel habits:
The surveys suggested that the visual arts markets in both countries should expect to grow at rates faster than average in the future, thanks to aging populations in both Canada and the US and increasing immigration to Canada. Since older travellers and new Canadians tend to participate in more culturally-oriented activities, all of the cultural activity-based segments featured in these analyses can expect strong levels of growth.
At workshops conducted in late May, hundreds of participants laid down their ideas for the space, working with artists and architects to put their visions on paper. This fall, the City of Vancouver will formally ask for expressions of interest from design and architectural firms on how to redevelop the space. Fifty-one concepts came out of the workshops, all unique but with some common themes. One of those themes was the need for space for artists to create and showcase their work. Some designs also included a live theatre space (charging $1.49), dance studios and pottery workshops. All of the designs included housing space for local residents. The Co-Design group, an informal association of artists and architects, worked with participants at the workshops.
Owned by the Fong Luen Tong Society, the property used to house three commercial properties and takes its name from its past life as a BC Electric Interurban Station. The space came to life through the Portland Hotel Society, with help from various levels of government, the United Way, the Vancouver Labour Council and the Fong Luen Tong group. The first exhibit, 9E features works from DTES artists, including painter Richard Tetrault and carver Dwayne Dennis. Above the main space are a number of smaller areas for artists to use as studios.
A recent report from the House of Commons Standing Committee on Finance states that "Museums play a valuable role in enhancing the quality of life of Canadians, and also contribute to our tourism industry. In order for museums to maximize their contribution, however, they must be adequately funded through a process that ensures that funds are distributed to institutions in the greatest need." And, a national survey of Canadians' attitudes towards museums, recently commissioned by the CMA found that 78 percent of respondents favour a substantial increase in federal contributions to museums outside the National Capital Region. There are close to 2500 non-profit museums and related institutions across Canada, which attract more than 50 million visits a year. Visit the CMA's website for more information (click on Advocacy Alerts).
The MusicPath project is designed to connect two Yamaha Disklavier digital acoustic pianos via CA*net 4, Canada's national research and innovation network which was developed and is operated by CANARIE. Through innovative technology, a remote pianist ends up moving all the piano keys in real time in a totally separate location. This technology may revolutionize the way in which piano is taught and how students are examined; for example, a student at Acadia in Wolfville, NS could have his or her music 'played' and heard simultaneously at the RCM in Toronto. An instructor in Toronto could then provide real time comments back to the student via video-conferencing. The technology will eventually be available across Canada, but for now will operate between Acadia and the RCM. For more information, visit MusicPath's website.
John Cull
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